Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works


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The pages of a pamphlet would be fastened together but the finished book was sold without a hard cover, again keeping the production costs down. The high speed and low cost of producing pamphlets meant that they could be sold inexpensively, resulting in a large potential market for them. It is no wonder, then, that the idea of writing pamphlets appealed to Middleton, Dekker, their bookseller and printer, at least from an economic point of view. The story I have been telling, that Middleton and Dekker wrote their pamphlets because the theatres were closed during a plague outbreak, is a critical commonplace.

The Handbook therefore does not dwell on material discussed in The Collected Works ; it bypasses, for instance, issues of attribution or book history. However, by establishing itself so clearly as part three of a trilogy, The Handbook could put off the more casual reader or student of Middleton. This difference makes Middleton in Context the more accessible of the two collections.

“THE LINES WE WRITE”: Middleton and Dekker’s Co-Written Pamphlets

The self-contained nature of Middleton in Context is one reason why it is the more approachable of the two books; another reason is the way in which it is organised. By choosing this unconventional system, the editors aim to encourage readers to jump between the essays and thereby create new and interesting connections between the various works under discussion.

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The decision gives The Handbook an energetic feel, a sense that its readers will be participating in a lively debate. What if there were metaphysical origins of pestilence, as Dekker assumed? What if England were being punished by a wrathful God incensed by the licentiousness of its citizenry? Or could evil have spawned the deadly plagues that ravaged London? These are the tragedies, whose sight With tears blot all the lines we write.


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They find in his pamphlet The Black Book and in The Meeting of Gallants evidence that Middleton viewed the world through a theatrical lens. As a result, Hirschfeld presents News from Gravesend and The Meeting of Gallants as the starting point of a significant writing partnership, rather than a mere reaction to the theatre closures.

Almost immediately after the playhouses re-opened, Middleton and Dekker co-wrote the play The Honest Whore You are commenting using your WordPress.


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Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works
Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works
Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works
Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works
Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works
Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works
Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works

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